
Tree
auditioning for Crazy God
BLACK
is Toc-ward.
GREEN is AreBear's words.
RED is quoted.
BLUE is the dated who-what-when-where
Dear RR
"Art
is the evolution of human perception made real. And like a science, art's
expanding pyridine is objectively proven by concretizing the image at
the high ark of its logical absurdity*. Between these moments of measure*
occurs a flurry as if in reverse, as if building an entire pyramid under
its waiting eye-stone."
- Comrade-X
I am my only authority
when in The Image Nation. We, you and I are the Gunslingers in the outer
territories, we are the Law. The way that you arrived at those images
interests me only so far as my natural inking backtracks towards arriving
at the-high-ark-of-its-logical-absurdity. I am a Worker, like your self,
so the "how" is only important in the question: "Is every
aspect (absolute) necessary, and did your Skill cover its tracks."
These aspects for me were immediately satisfied by the narrative paging
of your multiple Images. I don't really care how the laymen perceive what
we do. The laymen asks as a defense-mech to reduce your Vision to their
scale of denial. I-AM the standard of Consciousness, me-joey, at a certain
groking of awareness I-AM is god, and all things are equal. And if just
one other trusted awareness, (your witness), say, "YES!" to
your work, then everything below the Rautakausi really is
just mud
and shit (old Sanyasi proverb).
From one YES to another,
I
felt
your list (book) of images as no less then
Wow!
And
"I better get back to Work," (this last voice is always
the one that really tells me when I am in the presence of The Dialogue).
Next time some laymen
asks you how you did it, you should tell her that you paid the fucking
photo-fairies hard cash and three pints of lymph fluids to do them for
you, or
if you are feeling kind, you could say "Well
I
started these Images by taking a breath 51 years ago and then ..."
________________________
"Art
is a therapy but not meant to be used as therapy. Let the art come first
and your psychology will follow. Spit in the hole and head for the light."
- Comrade-X
________________________
leets
!
Hello pal.
It's Hearting to hear
that you are living-up in the Work.
You are definitely a One, (marked for life, an all-or-nothing player,
an admirable failure), and after all my years in it, I still feel an edge
of pity for all you must go through to live the Work, even though
"It is the most wonderful life on earth. Or so I feel!"
-eec
Be sure to invite
us to any open sessions that you present. You know I want to throw all
sorts of encouragements and advise at you, even though I know how useless
such is, seeing that the core of the Work is experience in perception.
Your experience. And really all we (tree-me+) can provide are Hurrahs!
Hurray!
I feel - I dream -
I pay close Attention - I meditate - I think - I decide - and I
perform
an art. This is my job. This is your job. And despite the
world I will not apologize for having aspired towards it. It is my job
to do all these things fully and report what I discover to my beloved
(despite its self) humanity.
I am a scout of perception. That's my job and glad for the work.
We are Potentiatitors of Observations = Direct Observations. We gather
willingness and give it direction toward experience. It is a job given
to us by "Inner-Necessity" (and I have yet to hear a better
name for God then that [says Toc the atheist]).
"There
are exactly as many Gods as you have time to notice, and no two Gods are
ever alike."
-Comrade-X
________________________
So
here is
a performance lecture I witnessed once upon a time. It is by one of my
chosen mentors (Agnes Martin).
I'm still a kid (22). I'm sitting in a small room with maybe 20 other
art(s) -students at a very experimental university (that no longer exists).
The year is 1975 and my 7 month old son is on my lap, content, and there
is an easy waiting among us. The kid (Jyothi) is passed around, happily.
Then
in comes an old Navaho women, traditional blue squash-blossom
dress and white blouse. She stands quiet for long minutes looking at the
floor in front of her feet holding a white scarf. The room is solid with
silence. Then she looks up at us, as clear as slow-water and says the
following exact words all from her memory.
"Through
our work truth enters into ignorance and ignorance is dissolved. The struggle
between truth and ignorance takes place in the mind of the worker. There
is pain and suffering as a result of this conflict. When ignorance gives
way to truth there is clarity and joy.
We
face life and work in total ignorance. We do not know what to expect or
what to do. We wish fervently that we can know what to do and how to do
it. It is our most fervent wish. With this wish we invite truth into our
minds and there it encounters ignorance, and the conflict begins-the struggle
and the pain. It is extremely hard to keep moving forward. It is possible
to give up the struggle and the pain. Then one moves backward. Moving
backward one becomes less aware, less enthusiastic, less energetic. There
is physical deterioration and more selfishness. A fervent wish to know
what one is born to do, a wish to live a true life, a close watch on one's
own mind in order to see the steps that need to be taken, and of course
to take them, is the path of life on which we move ahead. Everything other
than this is negative and meaningless.
On
the path of life we ask what to do. We do not really invite truth into
our minds because the truth is already there. The truth is pervasive.
What we really want is to become conscious of the truth. We ask our own
minds what to do. When ignorance which is also in our minds is overcome
by truth, we have a moment of clarity and very suddenly we know what to
do. If we carry out the instructions that come to us in moments of clarity,
our actions are effective. They are responded to by others, and they are
recognized as positive. Sometimes works done on very clear instructions
and after a great struggle turn out to be empty or useless. This is very
disconcerting. The instructions from our minds are as though to a child
that doesn't know the language. We perceive what we do want by seeing
what we do not want. Work that seems empty and useless is guided and meant
to be and is more valuable in moving forward than satisfying work.
Even
with truth in our minds we will go far beyond a few disappointments. We
will find ourselves facing the work with very strong feelings of defeat,
despair, hopelessness and even lack of desire. All of these with exhaustion
added are necessary to defeat ego, vanity, and pride so that truth may
be represented rather than personal vanity. To express truth, to contribute
to happiness, or to create something beautiful the path begins beyond
defeat and despair. This is not as depressing as it sounds, for in defeat
and despair we can say to ourselves, this is not the end but the beginning,
and we can look back and see how often this has been true. Work begins
with a feeling of compulsion. Then we wonder what we are to do. This is
followed by a surge of energy. And we become fervent in a wish to know
what to do. While ignorance holds the advantage we are faced with a multiplicity
of choices. Our minds struggle. We think we are struggling to "make
up our minds, to come to a decision. But the struggle is in reality the
next true step to be taken breaking through the barrier of ignorance.
When the truth of what we must do reaches consciousness, there is no choice.
One has to do what one has to do, and the whole fervent wish is now for
accuracy. I would like to point out that compulsive action is in acceptance
of the first choice while ignorance still holds the field. Serious contemplation
which excludes all intellectual activity is necessary to the uncovering
of truth in our work. The intellect must still be held in check till we
discover exactly how we must do that which we must do. There is only the
one way, the narrow way, the razors edge. While we believe it can be this
or that, this way or that way, that is not it. It will be negative and
ineffective. The work must be rendered into some form that can be responded
to by others in order to become a part of reality. Uncompleted work is
fantasy and leads to sterility of mind. The work of caring for children
of home making, of growing potatoes, of being president, even ditch diggers
can be creative. It is creative if it is responded to with happiness.
If it is responded to with happiness, it can be called positive. It is
in this way that positive work enters reality and lasts forever. When
we see the truth we call it beauty. When we feel the truth we call it
happiness. Truth experienced is justice, benevolence, and consolation.
All positive expressions represent truth.
In
works of art our most joyful, subtle, and tender feelings are represented.
These feelings are universal and do not change. It is very serious misrepresentation
to say that art represents culture. True art work is responded to by people
of all cultures in exactly the same way. Consider the pyramids, Ming pottery,
German music, Greek architecture. Many people are attracted to the life
that artists live because it is unconventional, but they do not involve
themselves with the truth, so of course they are not artists. An artist
is not just someone who works with art media. It is someone who recognizes
his most positive feelings and longs to represent them accurately and
concretely so that they can be recognized by others. By positive feelings
is meant knowing happiness-a real grasp of ever-lasting happiness and
beauty must be his aim.
Intellectual
activity is directed toward concrete evidence. It is comparison, deduction,
calculation, and discrimination. The end products are ideas, concepts,
even prejudices. The intellectual process is anathema to art work which
depends on direct response and acceptance without any thought whatsoever.
One does not go to the seashore to think. It is thinking more than anything
else that precludes perception. It is quite a common practice to go on
thinking to the point of exhaustion, at which time one gives up thinking
and the truth penetrates our minds. In art work even with an intellectual
approach, if it is pursued beyond exhaustion in one application one suddenly
sees what must be. Another dodge around intellectual activity is to sleep
and wake up with the solution. By far the best solution is mental control
by meditation, that is, by watching one's mind and having a desirable
mental condition. Alcohol and drugs are of course not a solution; thought
they sometimes stop intellectual activity, they substitute fantasies that
are dangerously misleading. To be in a desirable mental condition is the
work, is truth through ignorance, is consciousness of one's true course,
is consciousness of what one must do according to one's potential, is
consciousness of one's unfolding life, and is happiness as a result. The
truth that you will perceive in a healthy mind applies only to you. Other
peoples' ideas and philosophies are not the truth for you. The truth is
not an idea beyond all other ideas. It is not an idea at all. It is an
experience. It is seeing beauty and being truly happy. I say truly because
there is a lot of mistaken excitement. The translation of the truth as
it is revealed to an individual into precepts and standards becomes a
part of ignorance. The truth in any regard is available to us on a request
to our minds. We cannot help each other.
The
intellect battles overtly as well as in the mind. When we are working
we are presented with the idea that we should be doing something else.
If intellect can get us going, we will soon be thinking about right and
wrong, gain and loss, victory and defeat, about our friends and neighbors',
or politics. Like an indulgent mother, the intellect defends our weaknesses,
bringing self-pity self-defense and an endless amount of complaint and
accusation of others. It also presents outrageous fears and convinces
many that security, though it is not possible, is the goal of life. The
intellect is best discovered by the multiplicity of its suggestions, saying
you can do this or that, but also because it circles. The same thoughts
go round and round. We must not blame ourselves for the activities of
intellect, but we must recognize them and not listen in order to move
forward. Fortunately, in serious crises a very large group of people do
not depend on intellect for guidance, but seriously seek for the truth
with regard to what they should do. In this way the world is rapidly moving
forward. They ask for the truth, it enters their work, it is recognized
by others, life moves forward to greater awareness of happiness. Life
does not move ahead due to the work of a few geniuses as is generally
believed, but due to the positive wishes of all those who have faith in
life. There are several groups who do not have faith in life but rather
faith in themselves: idealists, who believe in living by preconceived
patterns, traditionalists, who believe in living by knowledge from the
past. There are also those who pursue false goals: the avaricious, those
with money as a primary aim, the power seekers, those who wish to lead
and influence others the show-offs, those whose actions are directed toward
preconceived results Idealists fail because reality is infinite. It is
infinite space, infinite time, and also infinite possibility. Direct action
such as suggested by idealists moves from this to that infinitely, but
not forward. Idealism is the illusion. Idealism precludes freedom of mind.
Living by preconceived patterns is conformity, not freedom of mind. Power
seeking, avarice, and showing off are all calculated ways of living, holding
the mind in captivity. I have known quite a number of artist who have
thrown off all these negative attitudes, who have given up ideas about
work who have given up ideas of power who have given up thinking of money
who have given up thinking of fame who in fact surrendered to defeat and
helplessness and managed to hang on till the work was completed. The work
was then received into a gallery and received recognition and satisfactory
sales-everything they had ever wanted, but they chose not to go on. The
reason of their reluctance is that defeat and helplessness are so very
hard to bear. An artist who wishes to continue in the work must maintain
a low standard of living. If one enters into the jaunty self-confident
attitude and physical comfort; of the materialist, the state of mind necessary
for creativity is out of sight.
We
can see how the discriminating mind and the calculating mind make us captive
of circumstances. What we want to see is how the other, the truth seeking
mind makes us free. There are two parts of our minds. One part watches
the other. Many people feel as though they are being watched from outside,
but it-is your own mind that watches you. It watches all of our actions.
When we ask for the truth and the watcher watches our minds very carefully,
ideas and memories do not surface in the mind. As truth struggles through
these ideas and memories the struggle is felt; it is not seen. And the
victory is felt with joy when the truth is realized. The truth always
wins the struggle. Our minds merely watch the process. It is like an always
available gift. We can know what to do. We can know beauty. We can know
happiness without any effort, just to wait, just to receive, that is freedom
of mind."
Pow huh?
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